210820 tom t hall obit 2012 ac 1001p

Tom T. Hall, country music storyteller who sang about life’s simple joys, dies at 85


210820 tom t hall obit 2012 ac 1001p

NASHVILLE, Tenn. — Tom T. Corridor, the singer-songwriter who composed “Harper Valley P.T.A.” and sang about life’s easy joys as nation music’s consummate blue-collar bard, has died. He was 85.

His son, Dean Corridor, confirmed the musician’s dying on Friday at his residence in Franklin, Tennessee. Corridor, often called “The Storyteller” for his unadorned but incisive lyrics, composed a whole bunch of songs.

Together with such contemporaries as Kris Kristofferson, John Hartford and Mickey Newbury, Corridor helped usher in a literary period of nation music within the early ’70s, with songs that have been political, like “Watergate Blues” and “The Monkey That Grew to become President,” deeply private like “The 12 months Clayton Delaney Died,” and philosophical like “(Outdated Canine, Youngsters and) Watermelon Wine.”

“In all my writing, I’ve by no means made judgments,” he stated in 1986. “I believe that’s my secret. I’m a witness. I simply watch all the pieces and don’t resolve if it’s good or unhealthy.”

Corridor, the fourth son of an ordained minister, was born close to Olive Hill, Kentucky, in a log cabin constructed by his grandfather. He began taking part in guitar at 4 and wrote his first tune by the point he was 9.

Corridor started taking part in in a bluegrass band, however when that didn’t work out he began working as a disc jockey in Morehead, Kentucky. He joined the U.S. Military in 1957 for 4 years together with an task in Germany. He turned to writing when he obtained again stateside and was found by Nashville writer Jimmy Key.

Corridor settled in Nashville in 1964 and first established himself as a songwriter making $50 every week. He wrote songs for Jimmy C. Newman, Dave Dudley and Johnny Wright, however he had so many songs that he started recording them himself. The center preliminary “T” was added when he obtained his recording contract to make the identify catchier.

His breakthrough was writing “Harper Valley P.T.A.,” a 1968 worldwide hit about small-town hypocrisy recorded by Jeannie C. Riley. The tune a few mom telling a gaggle of busybodies to thoughts their very own enterprise was witty and feisty and have become a No. 1 nation and pop hit. It bought thousands and thousands of copies and Riley received a Grammy for finest feminine nation vocal efficiency and an award for single of the 12 months from the Nation Music Affiliation. The story was so fashionable it even spawned a film of the identical identify and a tv sequence.

“Out of the blue, it was the discuss of the nation,” Corridor informed The Related Press in 1986. “It grew to become a catch phrase. You’d flip the radio dial and listen to it 4 or 5 occasions in 10 minutes. It was probably the most superior time of my life; I induced all this stir.”

His personal profession took off after that tune and he had a string of hits with “Ballad of Forty {Dollars}” (which additionally was recorded by Johnny Money and Waylon Jennings); his first profession No. 1 hit “A Week in a Nation Jail,” and “Homecoming,” within the late Sixties.

All through the ’70s, Corridor grew to become one among Nashville’s largest singer-songwriters, with a number of hit songs together with, “I Love,” “Nation Is,” “I Care,” “I Like Beer,” and “Quicker Horses (The Cowboy and The Poet.)” he was inducted into the Nashville Songwriters Corridor of Fame in 1978.

“Tom T. Corridor’s masterworks differ in plot, tone and tempo, however they’re certain by his ceaseless and unyielding empathy for the triumphs and losses of others,” stated Kyle Younger, CEO, Nation Music Corridor of Fame and Museum, in a press release. “He wrote with out judgment or anger, providing a rhyming journalism of the guts that units his compositions aside from every other author.

He additionally penned songs for kids on his information “Songs of Fox Hole (for Youngsters of All Ages)” in 1974 and “Nation Songs for Children,” in 1988. He additionally grew to become an creator, writing a e-book about songwriting, “The Songwriter’s Handbook,” and an autobiography, “The Songwriter’s Nashville,” in addition to fiction novels.

He was host of the syndicated TV present “Pop Goes the Nation” from 1980 to 1983 and even dabbled in politics. Corridor was near former President Jimmy Carter and Carter’s brother, Billy, when Carter was within the White Home. Tennessee Democrats urged Corridor to run for governor in 1982, however he declined.

For his 1985 album “Songs in a Seashell,” he spent six months strolling up and down Southern seashores to get inspiration for the summer time temper of the LP.

He was inducted within the Nation Music Corridor of Fame in 2008 and in 2012, he was honored because the BMI Icon of the 12 months, with artists such because the Avett Brothers, bluegrass stars Each day & Vincent, Toby Keith and Justin Townes Earle paying tribute to the songwriting legend. He was inducted into the Songwriters Corridor of Fame in 2019.

“I believe a tune is only a tune,” Corridor stated on the ceremony in 2012. “They’ll do it with every kind of various bands. It’s only a lyric and a melody. I used to be speaking to Kris Kristofferson one time. They requested him what was nation, and he stated, ‘If it sounds nation, it’s nation.’ In order that’s my philosophy.”

He married English-born songwriter Dixie Deen in 1968, and the 2 would go on to write down a whole bunch of bluegrass songs after Corridor retired from performing within the Nineteen Nineties, together with “All That’s Left” which Miranda Lambert lined on her 2014 album, “Platinum.” Dixie Corridor died in 2015.

In 2015, music legend Bob Dylan singled out Corridor for some harsh criticism in a rambling speech at a MusiCares occasion. He referred to as Corridor’s tune, “I Love,” “slightly overcooked,” and stated that the arrival of Kristofferson in Nashville “blew ol’ Tom T. Corridor’s world aside.”

The criticism apparently confused Corridor, as he thought-about Kristofferson a pal and a peer, and when requested about Dylan’s feedback in an 2016 article for “American Songwriter” journal, he responded, “What the hell was all that about?”


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