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Micki Grant, Groundbreaking Broadway Composer, Dies at 92

Working with Ms. Carroll, she stated, was a “magical” expertise.

“All of it got here collectively so completely,” Ms. Grant informed American Theater magazine in an interview this 12 months. “It was a lucky assembly between us: I wanted someplace to current my work, and she or he wanted the brand new work to current due to who she was — having unique works introduced out her creativity, quite than making an attempt to repeat one thing that was already finished.”

The 2 girls additionally collaborated on “Your Arms Too Brief to Field With God,” an acclaimed gospel-infused musical that opened on Broadway in 1976 and ran for 429 performances. Ms. Carroll wrote the e book, and music and lyrics have been by Alex Bradford, with extra songs by Ms. Grant.

Two years later, Ms. Grant was one of many 5 songwriters behind the musical “Working,” which was based mostly on the author Studs Terkel’s e book of interviews with on a regular basis folks about their jobs. The group was nominated for a Tony for finest unique rating.

In considered one of Ms. Grant’s songs in “Working,” a girl laments: “If I may’ve finished what I may’ve finished/I may’ve finished large issues./With some luck to do what I wished to do/I’d’ve finished large issues./Swam just a few rivers/Climbed just a few hills/Paid all my payments.”

She returned to Broadway one final time, with a musical, “It’s So Good to Be Civilized” (1980), which closed after eight performances.

Her different credit embody the English-language lyrics to songs in “Jacques Brel Blues,” which debuted in East Hampton, N.Y., in 1988, and “Don’t Underestimate a Nut,” a musical based mostly on the lifetime of George Washington Carver, the agricultural scientist who promoted the cultivation of peanuts. It was commissioned by a kids’s theater in Omaha, Neb., in 1994.

Within the late Nineteen Nineties, Ms. Grant spent two years with Lizan Mitchell on a tour of america and South Africa as they performed the centenarian Delany sisters in “Having Our Say,” Emily Mann’s Tony Award-winning play.


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