‘Lisey’s Story’ goes deeper in unnerving third chapter

The wild Apple TV+ adaptation of Stephen King’s Lisey’s Story will get even richer and extra imaginative on this week’s episode. Having launched Lisey, the troubled widow of a well-known author, the miniseries begins drawing out the main points of the opposite individuals who populate its actual and imaginary worlds.

Director Pablo Larraín continues to flex his creative muscle tissue as he creates a compelling fantasy world. And one character particularly proves delightfully unnerving.

Lisey’s Story assessment: Episode 3, ‘Below the Yum-Yum Tree’

Within the episode, titled “Below the Yum-Yum Tree,” Lisey (performed by Julianne Moore) is coping with fires in each room in her home. She’s nonetheless grieving her useless author husband Scott Landon (Clive Owen), and certainly takes a protracted second to walk down reminiscence lane to their honeymoon. She lastly sees the primary picture of Jim Dooley (Dane DeHaan), the deranged stalker out to steal a fabled unpublished story by Scott, and she or he isn’t comforted by the upsetting determine he cuts.

In the meantime, her sister Amanda (Joan Allen) is newly dedicated to a sanitarium following a violent episode. And her different sister, Darla (Jennifer Jason Leigh), received’t assist out as a lot as a result of she nonetheless resents that Lisey received’t pull her weight. (It’s a grudge she’s been carrying since Lisey obtained wealthy when she married Scott.) Everybody on this present appears mere moments from breaking down, however Lisey’s really being pulled in each route.

Whereas Lisey is reminiscing about her honeymoon, she remembers Scott telling a narrative about his childhood. Appears he was sired by a violent drunk (Giovanni Celentano), so he acquired most of his familial affection from his brother Paul (Clark Furlong). In a single lovely sequence, Paul makes younger Scott a scavenger hunt. It looks like the proper wedding ceremony of director Larraín’s rhythmic montage and King’s love of childhood secrets and techniques and the return to the womb-like comforts of innocence.

The place am I?

Larraín’s at his greatest when leaping by means of time and area. (I talked about final week the present’s debt to Chilean experimental filmmaker Raúl Ruiz, particularly in Larraín’s conception of Boo’ya Moon, the dream world Scott Landon occupies.) However Larraín’s additionally a eager pupil of French thinker/poet/filmmaker Alain Resnais, who made damaged continuity an artwork type in films like 1968’s Je t’aime, je t’aime and 1963’s Muriel).

Larraín does some true gymnastics this week in Lisey’s Story. The flashbacks all intrude actually on actual life, which turns into extra troubling once we’re additionally leaping into the dream world into which Amanda (and presumably Scott, or his ghost or one thing) appears to be pulled.

The character of Amanda’s insanity is that she thinks she’s being yanked into this dream world. However she turns into extra persuasive when she begins carving messages on her wrists with scissors that appear to be from Scott. Lisey’s in no temper to take care of this, and all of the whereas Dooley retains getting nearer and nearer. Truly … he’s proper behind her.

Soar, Scotty, soar

Lisey's Story review: Dane DeHaan digs into his villainous stalker role with aplomb.
Dane DeHaan digs into his villainous stalker function with aplomb.

We should discuss for a second about how completely forged Dane DeHaan is within the function of stone-cold psychopath Dooley. I’ve favored DeHaan in oddball stuff, however watch sufficient of his films and also you discover his interior creep isn’t utilized practically effectively sufficient.

Not the case right here! There’s a beautiful little sequence the place Officer Beckman (the very welcome Sung Kang) reveals Lisey an incel fan video Dooley made earlier than he was dedicated to an asylum, and you may see simply how a lot DeHaan’s loving this half.

In his grotesque and under-lit school dorm, Dooley all however makes out with a standee of Scott Landon. “No spouse!” he says. “Keep single!” He additionally collects each bizarre piece of ephemera he can from the useless creator’s profession.

Dooley is the half DeHaan, together with his unhealthy complexion and his beady little eyes, was born to play. To not say DeHaan’s an unattractive man (he’s employed quite a bit for a purpose!). However I like that he let himself be extraordinarily off-putting in Lisey’s Story, and it pays wealthy dividends. On a present with a forged that boasts a gazillion Oscar nominations between them, DeHaan can actually command the display.

To not say anybody else is slouching. Allen is beautiful because the haunted Amanda, doing a lot with out phrases. Leigh and Moore are additionally at their greatest. It’s heartening to see them so of their factor in scenes collectively, so quickly after watching them each shrug their method by means of the really jaw-dropping adaptation of The Lady within the Window, a poor man’s try on the mass-market paperback thrills on which King made his identify.

Between Lisey’s Story, the second seasons of Mythic Quest and Servant, and the just-wrapped The Mosquito Coast, Apple TV+ is having a ok 12 months that I’ll forgive it for making me watch Central Park.

Lisey’s Story on Apple TV+

New episodes of Lisey’s Story arrive on Apple TV+ on Fridays.

Rated: TV-MA

Watch on: Apple TV+

Scout Tafoya is a movie and TV critic, director and creator of the long-running video essay sequence The Unloved for RogerEbert.com. He has written for The Village Voice, Movie Remark, The Los Angeles Assessment of Books and Nylon Journal. He’s the director of 25 characteristic movies, and the creator of greater than 300 video essays, which might be discovered at Patreon.com/honorszombie.




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