“I Look At A Story As A Story”

Kay Kay Menon reveals his 'escapist way' of dealing with tough roles
Kay Kay Menon Reveals His ‘Escapist Approach’ Of Dealing With Powerful Roles( Photograph Credit score – Ians)

Kay Kay Menon is strong as ever essaying a fancy function within the section “Bahrupiya” of the anthology sequence “Ray”. The episode relies on late legend Satyajit Ray’s brief story in Bangla titled “Bahurupi”, or the impressionist, and comes laden with a component of fantasy. The actor decodes how he confronted the problem of essaying a brutally lifelike function that treads into the area of make-belief.

“I’ve a simple means that may also be known as the escapist means. I take a look at a narrative as a narrative. I eliminated the luggage. I take a look at it as (director) Srijit (Mukherji)’s interpretation of the story and that’s the newspaper headline for me,” Kay Kay tells IANS.

The story casts the actor as a timid make-up artist named Indrashish Saha, who inherits a wierd e book on prosthetic experience when his grandmother passes away, together with a considerable amount of cash. Actuality and fantasy fuse within the storyline, and Indrashish is sucked right into a vortex of doom as he begins to think about he’s invincible and begins abusing his newfound ‘energy’ to ‘turn out to be’ anyone he needs.

The 54-year-old actor addresses the factor of make-belief concerning the story saying: “Even in a newspaper, you typically see headlines which can be unimaginable, proper? You imagine it as a result of it’s within the newspaper. Equally, for me, the story turns into factual at that time of time. I attempt to take away all different baggage connected to it.”

Kay Kay Menon says he knew he was immersing himself within the work of the legendary Satyajit Ray, however on the time of filming, he was centered extra on being directed by Srijit Mukherji.

“I type of pin that out and focus on simply performing for that story and enjoying that particular person so I hold my focus there. I get saved by the little concern and paranoia of touching someone’s work. I do know that it has come from Ray sahab and everyone is aware of how nice he was however at that time it’s Srijit directing and Kay Kay Menon appearing and enjoying an individual — that’s it,” Kay Kay Menon says.

Requested how one takes Ray’s work to at the moment’s viewers, lots of whom will not be conscious of the auteur’s cinema, Kay Kay says Ray’s creativity all the time stays up to date and may by no means be dated.

“That’s the fantastic thing about Ray sahab. He’s up to date and can be up to date all through. So, all his matters, no matter he touched upon, won’t ever be dated. The type may be totally different, the interpretation may be totally different however at a conceptual degree he has nailed it for generations to come back,” Kay Kay says.

“Considered one of my favourites is ‘Nayak’,” he says, referring to Ray’s 1966 basic starring Uttam, Kumar and Sharmila Tagore, and provides, “as a result of the movie considerations the movie business, actors’ dilemmas and trauma together with the appearing type. For me, all the pieces he has carried out until now will all the time stay up to date,” Kay Kay concluded.

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